CHRISTIAN LACROIX Spring 2005 Haute Couture – Fashion Channel
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The collection ticked all the boxes of current fashion relevance by working small waists and bouncy skirts, Empire-line gowns, eighteenth century jackets, and dreamy, floral romanticism.
All that might be done in ready-to-wear, but what sets this collection apart as a unique work of couture-grade individualism is Lacroix’s talent as a full-spectrum colorist, a man who can handle eye-socking orange as convincingly as sugared-water shades of pink.
In 20 years, Lacroix has evolved from stiff poufs and restricting Comédie – Française corsets into a fragile decorativeness that vividly frames the litheness of the body.
Given fantasy funds, what young woman wouldn’t spring for a palest-blush chiffon gown, decorated with crystal in the bodice, its skirts looped up and fastened with bows of velvet ribbon? Or dance at some grand event in a taffeta balloon bustier dress with a back that blooms like a giant poppy? If sheer beauty rather than financial reckoning is a justification for the continuance of this unique collection, moments like these ought to win Lacroix’s argument for him.
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